Lines

Drawing and writing are both linked to lines. In this artist’s book, drawn and written lines entangle, add up to each other, and end up in a self-motivated connection.

The book is made of two parts and can be seen in a circular way from both sides. It does have a beginning but no ending. The beholder has to end it by stopping to turn the pages. Within the first three pages, lines are hovering, discovering, and moving forward. Together the single lines create a linear form that spans a double page. The next double page is literally torn in two, as is the linear form. In the second part, drawn lines reappear, and the first written lines come forward. They are indirectly seen, and can barely be read underneath a double page of wetly shimmering transparent paper. There is a sense of absence. When turning the pages again, the beholder comes to a new start: The last page is the beginning to discover the formerly hidden reverse of the pages. The fragmented written lines can be directly accessed and read, too.

In English, line has yet another meaning: to line means to cover the inside of. The lining, the inwardness, is folded outwardly in two ways. Turning pages involves constant uncovering. Also, both sides of the pages are visible. Every part of the book is laid open. Even more, the double page of slippery transparent paper (within the rougher Japanese paper) veils and reveals the written and drawn lines’ connection. It protects and exposes them. Nothing rests hidden, yet not everything is outspoken between the lines.